Library Catalogue
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Plunder? : How Museums Got Their Treasures / Justin M. Jacobs
Publication details: London Reaktion Books 2025Description: 216 p. 18 cmISBN:- 9781836391081 (Paperback)
- 069.5
Contents:
Summary: A riposte to the widely accepted belief that museum collections are illegitimately acquired.
In this thought-provoking work, historian Justin M. Jacobs challenges the widely accepted belief that many of Western museums’ treasures were acquired by imperialist plunder and theft. His account re-examines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artefacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative that may lead to hope and promise for a brighter, more equitable future.
Introduction -
Chapter 1: Presents and Plunder -
Chapter 2: Dealers -
Chapter 3: Excavations and Expeditions -
Conclusion -
References -
Select -
Bibliography -
Acknowledgements -
Photo Acknowledgements -
Index.
| Item type | Current library | Shelving location | Call number | Materials specified | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|---|
BOOKs
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NLS | General Stacks | 069.5 JAC (Browse shelf(Opens below)) | PB | Available | Recommended by Mr. Kunal Ambasta | 40447 |
Introduction -
Chapter 1: Presents and Plunder -
Chapter 2: Dealers -
Chapter 3: Excavations and Expeditions -
Conclusion -
References -
Select -
Bibliography -
Acknowledgements -
Photo Acknowledgements -
Index.
A riposte to the widely accepted belief that museum collections are illegitimately acquired.
In this thought-provoking work, historian Justin M. Jacobs challenges the widely accepted belief that many of Western museums’ treasures were acquired by imperialist plunder and theft. His account re-examines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artefacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative that may lead to hope and promise for a brighter, more equitable future.