000			03135cam a22004458i 4500
001			22691009
003			OSt
005			20230125112517.0
008			220712s2022 ncu 001 0 eng
010			_a 2022020036
020			_a9781478016328 _q(hardcover)
020			_a9781478018964 _q(paperback)
020			_z9781478023593 _q(ebook)
040			_aNcD/DLC _beng _erda _cDLC _dDLC
042			_apcc
043			_af-sa---
050	0	0	_aML3917.S62 _bE75 2022
082	0	0	_a346.0482 ERL _223/eng/20220816
100	1		_aErlmann, Veit, _eauthor.
245	1	0	_aLion's Share : _bRemaking South African Copyright / _cVeit Erlmann.
263			_a2212
264		1	_aDurham : _bDuke University Press, _c2022.
300			_apages cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aAspirations and Apprehensions : Toward an Anthropology in Law; The Past in the Present : Copyright, Colonialism, and "The Lion Sleeps Tonight" Assembling Tradition, Representing Indigeneity : The Making of the Intellectual Property Laws Amendment Act 28 of 2013; Circulating Evidence : The Truth about Piracy; Which Collective? The Infrastructure of Royalties; Southern African Copyright : The Basics.
520			_a"In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its post-apartheid agenda of redistributive justice and a turn to a post-industrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from anti-piracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "The Lion Sleeps Tonight" for The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society"-- _cProvided by publisher.
600	1	0	_aLinda, Solomon. _tMbube (Wimoweh)
650		0	_aMusic _xLaw and Legislation _zSouth Africa _xHistory.
650		0	_aCopyright _xMusic _zSouth Africa _xHistory.
650		0	_aMusic and Race _zSouth Africa.
650		7	_aMUSIC / Ethnomusicology _2bisacsh
650		7	_aHISTORY / Africa / South / Republic of South Africa _2bisacsh
776	0	8	_iOnline version: _aErlmann, Veit _tLion's share _dDurham : Duke University Press, 2022 _z9781478023593 _w(DLC) 2022020037
906			_a7 _brip _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c211685 _d211685