000 03189cam a2200361 i 4500
001 21865569
005 20241113173610.0
008 210111s2021 nyu b 001 0 eng
010 _a 2020058627
020 _a9780190930066
_q(hardback)
020 _z9780190930080
_q(epub)
040 _aDLC
_beng
_erda
_cDLC
042 _apcc
100 1 _aBolens, Guillemette,
_eauthor.
245 1 0 _aKinesic Humor:
_bliterature, embodied cognition, and the dynamics of gesture /
_cGuillemette Bolens.
264 1 _aNew York, NY :
_bOxford University Press,
_c[2021]
300 _a208 pages ;
_c23 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 0 _aCognition and poetics series
504 _aIncludes bibliographical references (pages 171-202) and index.
520 _a"Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in the ability to feel, perceive, and move (called sensorimotricity). The pervading cognitive process called perceptual simulation, which is activated when we cognitively process a gesture in a real-life situation, is also recruited when we read about actions, movements, and gestures in texts. Kinesic Humor examines literary works written by major authors-including Chrétien de Troyes, Cervantes, Milton, Saint-Simon, Rousseau, Sterne, and Stendhal-in which perceptual simulations of complex sensorimotor events and kinesic interactions trigger humorous effects. Such works create anticipations regarding movements and sensations, which are unexpectedly thwarted, thus producing cognitive shifts typical of humor. By bringing together literary studies, cognitive studies, gesture studies, and humor studies, this book offers original perspectives on such important artworks as Paradise Lost, Don Quixote, and Le Rouge et le Noir. In it, the importance of rhythm and tonicity in the perception of movements and gestures is a focus of attention. The interactional significance of gestures often lies in their dynamics, and this fact also applies to the cognitive retrieval of narrated gestures during the act of reading. The method of kinesic analysis practiced in this book takes into account such cognitive features in correlation with the historical and cultural contexts in which the literary works were written"--
_cProvided by publisher.
650 0 _aGesture in literature.
650 0 _aCognition in literature.
650 0 _aBody language in literature.
650 0 _aHumor in literature.
776 0 8 _iOnline version:
_aBolens, Guillemette.
_tLiterature, embodied cognition, and the dynamics of gesture
_dNew York, NY : Oxford University Press, [2021]
_z9780190930080
_w(DLC) 2020058628
856 _uhttps://academic.oup.com/book/39361
_yClick here to Access
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2ddc
_cOAB
999 _c212929
_d212929