| 000 | 01261nam a2200217Ia 4500 | ||
|---|---|---|---|
| 999 |
_c21320 _d21320 |
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| 003 | OSt | ||
| 005 | 20210927160538.0 | ||
| 008 | 160316s2002 xxu||||| |||| 00| 0 eng d | ||
| 020 | _a9781841132853 | ||
| 040 | _cn | ||
| 082 |
_a346.048000 _bMOR |
||
| 100 | _aMorgan Owen | ||
| 245 | _aInternational protection of performers rights | ||
| 260 |
_aOxford _bHart Publishing _c2002 |
||
| 300 |
_a271p _cxii |
||
| 365 | _b Rs.3,432 | ||
| 505 | _aContents: PART I INTRODUCTION 1. Introduction PART II DEVELOPING THE ANSWERS 2. Defining a Performance 3. The Arguments for Performers’ Rights 4. Technology and the Development of Performers’ Rights 5. Other Protection for Performers 6. Performers and the Structure of Ownership PART III THE STRUCTURE OF PROTECTION 7. National Treatment and the Protection of Foreign Performers 8. The Right Holder and the Subject Matter of Protection 9. The Primary Economic Rights 10. The Extended Rights 11. Limitations and Exceptions and Reservations to the Guaranteed Rights 12. Duration of the Rights 13. An Audiovisual Performances Treaty? PART IV CONCLUSIONS 14. Conclusions | ||
| 650 | _a1. Intellectual Property Rights - U K2. Performer's Property Rights - U K | ||
| 700 |
_a _a |
||
| 942 |
_2ddc _cBK |
||