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005			20250425111853.0
008			240530t20242024enka b 001 0 eng d
010			_a 2024910976
020			_a019892920X _q(hardback)
020			_a9780198929208 _q(hardback)
035			_a(OCoLC)on1442058196
040			_aYDX _beng _erda _cYDX _dOCLCO _dBDX _dOCLCQ _dIYU _dOCLCO _dYDX _dWTU _dDLC
042			_alccopycat
100	1		_aAllen, Emily, _d1964- _eauthor. _1https://id.oclc.org/worldcat/entity/E39PCjKJPy676BgTrD3MdT7CQq
245	1	0	_aNovel-poetry : _bthe shape of the real and the problem of form / _cEmily Allen, Dino Franco Felluga.
264		1	_aOxford, United Kingdom : _bOxford University Press, _c[2024]
264		4	_c©2024
300			_avi, 216 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 201-211) and index.
505	0		_aIntroduction -- The shape of the real -- Charles Dickens and the novel-verse -- Lord Byron and genre -- Lord Byron and the novel -- The problem of form -- Elizabeth Barrett Browning and love -- Arthur Hugh Clough and the non-event -- George Meredith and knowledge -- Robert Browning and the virtuous act -- Coda. Crisis, collectivism, and change.
520			_a"Novel-Poetry examines the verse-novel--a hybrid genre that emerged in the middle decades of Britain's nineteenth century--to make a larger claim about the nature of genre and formal structures for time, action, and identity that cross genres. The volume uncovers trajectories of literary influence that structure our approach to literature and affect how we shape our lives, lives which are often constrained by cause-and-effect and narrative-driven ways of approaching time and possibility. Novel-Poetry tracks an alternative way of thinking about time and event that was inspired by the French Revolution, popularized by Lord Byron, and explored by experimental Victorian poets such as Elizabeth Barrett Browning, Robert Browning, Arthur Hugh Clough, and George Meredith. The volume turns to the work of philosophers Alain Badiou, Jean-Pierre Dupuy, and Slavoj Žižek to theorize this alternative mode, which it aligns with the "futur antérieur." The temporality of the future anterior disrupts both the novel's realist chronologies and the expressivist lyric's cult of "the moment," thus liberating possibilities for collective action. Ranging widely across romantic lyric poetry, Victorian novels, and nineteenth-century and contemporary literary theory, Novel-Poetry asks, what alternative structures and temporalities does a focus on either realistic narrative or the lyric moment occlude? Are there ways of thinking about lived experience and personal or collective agency that do not conform to traditional models, ways that the verse-novel might help us to explore? What might be gained today from trying to think about ourselves and our world outside of established frameworks that are now so naturalized as to feel almost inescapable?"--Publisher's description.
650		0	_aLiterature, Modern _xAppreciation.
650		0	_aLiterary form.
650		0	_aEnglish fiction _y19th century _xHistory and criticism.
650		0	_aNovels in verse _xHistory and criticism.
700	1		_aFelluga, Dino Franco, _d1966- _eauthor. _1https://id.oclc.org/worldcat/entity/E39PCjDyXJRdQj8MrHfmVVhW6q
856			_uhttps://academic.oup.com/book/58001 _yClick here to Access
906			_a0 _bibc _ccopycat _d2 _encip _f20 _gy-gencatlg
936			_aBATCHLOAD
942			_2ddc _cOAB
999			_c213540 _d213540