| 000 | 00966nam a2200217Ia 4500 | ||
|---|---|---|---|
| 999 |
_c26836 _d26836 |
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| 003 | OSt | ||
| 005 | 20210525210808.0 | ||
| 008 | 160316s2002 xxu||||| |||| 00| 0 eng d | ||
| 020 | _a9780674007840 | ||
| 040 | _cnls | ||
| 082 |
_a791.420000 _bDOA |
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| 100 | _aDoane Mary Ann | ||
| 245 | _aThe emergence of cinematic time : MOdernity, contingency, the archive | ||
| 260 |
_aLondon _bHarvard University Press _c2002 |
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| 300 | _a288 | ||
| 365 | _b Gratis | ||
| 505 | _aTable of Contents: 1. The Representability of Time; 2. Temporality, Storage, Legibility: Freud, Marey, and the Cinema; 3. The Afterimage, the Index, and the Accessibility of the Present; 4. Temporal Irreversibility and the Logic of Statistics; 5. Dead Time, or the Concept of the Event; 6. Zeno’s Paradox: The Emergence of Cinematic Time; 7. The Instant and the Archive; Notes; Bibliography; Index. | ||
| 650 | _a1. Time In Motion Pictures | ||
| 700 |
_a _a |
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| 942 |
_2ddc _cBK |
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