| 000 | 01766nam a2200217Ia 4500 | ||
|---|---|---|---|
| 999 |
_c32157 _d32157 |
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| 003 | OSt | ||
| 005 | 20210519125018.0 | ||
| 008 | 160316s2012 xxu||||| |||| 00| 0 eng d | ||
| 020 | _a9780415894364 | ||
| 040 | _cn | ||
| 082 |
_a907.200000 _bGIB |
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| 100 | _aGibbons Tony | ||
| 245 | _aintegrity and historical research | ||
| 260 |
_aLondon _bRoutledge _c2012 |
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| 300 |
_a211p _cvii |
||
| 365 | _b Rs. 7,208 | ||
| 505 | _aTable of contents Introduction; 1. The Concept of Integrity. Tony Gibbons; 2. 'Who Would Want to Believe that Except in the Service of the Bleakest Realism?' Historical Fiction and Ethics. Jerome de Groot; 3. Transgressive Legacies of Memory: The Concept of Techne in Primo Levi's Periodic Table. Catalina Botez; 4. Fictions and Histories. Patricia Duncker; 5. The Evil That Men Do Lives after Them and the Good is Oft Interred within Their Bones. Emily Sutherland; 6. When Is It Time For 'Writing With An Untrammelled Pen'? Reconciling the South Australian Settler Colony with Its Violent Past in Simpson Newland's Historical Novel, Paving the Way: A Romance of the Australian Bush. Rick Hosking; 7. Using lives: Working with Life Stories in a Time of Revolution. Nicholas Brown; 8. Integrity and Oral History: Choices Facing The Oral Historian. Angela Franks; 9. 'Nude Scenes of Lovemaking and Violation on Stage and Screen': Heloise and Abelard, Old Bones and the Uses of the Past. Juanita Feros Ruys; 10. Integrity at the Intersection: Peripheries, Herstories and Film. Maria Reimondez; 11. Historians in Fiction and Film. Dave Mosler and Jessica Murrell | ||
| 650 | _a2. Historiography - Historical Fiction2. Literature & History3. Motion Pictures In Historiography | ||
| 700 |
_aSutherland Emily _a |
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| 942 |
_2ddc _cBK |
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